Ernie Zahn

Filmmaker · Producer · Open Source Advocate

Let's Collaborate
01

Selected Work

An Honest Trade
The Source
Indigenize the Plate
ProTalk
Mother's Day
The Art of Work
02

About

Ernie Zahn

Over 20 years of experience, 30+ official selections across the world, with work featured and awarded at Academy Award-qualifying festivals. As a producer and generalist my mission is to rally masterful specialists to create something that we can all be proud of, connects with audiences, and brings something to the screen that wasn't there before.

Beyond the camera, I am a passionate advocate for open-source technology, open standards, and open knowledge. I'm dedicated to contributing to a future with more community-owned and community-maintained solutions for a sustainable society and planet.

Skills

Producing Directing Grant Writing Strategy Business Administration

Accolades

  • 1

    Filmmakers Without Borders Fellowship

    2015 · Film Education Program
  • 2

    Best Director

    Las Cruces Film Festival · The Art of Work (2023)
  • 3

    Best Short Film

    Beloit Queer Shorts Film Festival · Liminal Spaces (2025)
  • 4

    Public Media Fund Awardee

    Vision Maker Media · Indigenize the Plate (2023)
  • 5

    Official Selection

    LA Skins Fest · Mother's Day (2023)
  • 6

    Featured Filmmaker

    Smithsonian National Museum · Nahasdzaan (2022)
03

Thoughts

May 2026

DaVinci Resolve on Bazzite

Ever since my first install of Ubuntu in 2010, I've wanted to be able to make linux my home for art and creativity. In 2026 that reality is closer than ever before.

Read more

Making the switch from macOS to Bazzite Linux wasn't something I did lightly. After years of Final Cut Pro and the Apple ecosystem, I was skeptical that a Linux-based workflow could match what I'd built. I was wrong in the best possible way.

DaVinci Resolve on Bazzite runs with remarkable stability. The GPU passthrough with my NVIDIA card was simpler than I expected, and the color science — the reason I use Resolve in the first place — is identical. No compromises there.

The broader win is ownership. I'm no longer paying subscription fees for tools that could change terms or sunset features. My editing environment is mine. I understand how it works, I can reproduce it, and I can audit it. For a working filmmaker who builds tools for the long term, that's not a minor thing — it's the whole point.

04

Get in Touch

Interested in collaborating on a project or discussing open-source workflows? Let's connect.

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